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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloists Claire Kretzschmar and Aarón Sanz, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance with Silas Farley

Corps de Ballet Member Silas Farley explores our expansive repertory, from the earliest Balanchine works to more recent classics, giving listeners an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, Farley is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

May 18, 2020

In the second half of our two-part Hear the Dance on Balanchine’s Diamonds, host Silas Farley is joined by Principal Dancer Sara Mearns, who has performed the lead role for over 12 years with seven different partners—for seven very different experiences. Mearns takes us through a detailed play-by-play of dancing this regal, demanding movement from Jewels, from the slow opening, which allows her to warm up, to the physically challenging dancing to come, and through to the triumphant, emotional conclusion. (36:15)

Music:
Pelléas et Mélisande (1898) by Gabriel Fauré
Capriccio for Piano and Orchestra (1929) by Igor Stravinsky
Symphony No. 3 in D major, Op. 29 (1875) by Peter Ilyitch Tschaikovsky

Recommended Reading: 
1) Holding On to the Air: An Autobiography by Suzanne Farrell and Toni Bentley       
2) Dancing for Balanchine by Merrill Ashley     
3) George Balanchine: Ballet Master: A Biography by Richard Buckle in Collaboration with John Taras