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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloist Aarón Sanz and recently retired Soloist Claire Kretzschmar, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance 

Explore our expansive repertory, from the earliest Balanchine works to more recent classics, with an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, the host is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

May 4, 2020

In the second part of this special edition of Hear the Dance, Silas Farley and former NYCB Principal Dancer Patricia McBride continue their expansive conversation on her impressive career—from working with George Balanchine and Jerome Robbins, to the oral tradition between ballet dancers as they hand down roles over the years, to her current career teaching the Balanchine technique and more to the students of Charlotte Ballet in North Carolina, where she is the Associate Artistic Director, and where Silas began his own ballet training. McBride shares intimate recollections of her years on the NYCB stage, including how her own “decorations” continue in present-day performances of many of the ballets she originated. (35:58)

This is a continuation of Part 1 of this episode.

Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky
Apollon Musagéte (1928) by Igor Stravinsky
Capriccio for Piano and Orchestra (1929) by Igor Stravinsky
Symphony No. 1 in C major (1855) by Georges Bizet
Symphony No. 3 in A Minor, Op. 56, 'Scotch,' (1842) by Felix Mendelssohn