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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloists Claire Kretzschmar and Aarón Sanz, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance with Silas Farley

Dance educator and former NYCB dancer Silas Farley explores our expansive repertory, from the earliest Balanchine works to more recent classics, giving listeners an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, Farley is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

Oct 12, 2020

This week’s edition of City Ballet The Podcast is the premiere broadcast of a live See the Music presentation on the score to Balanchine's Brahms-Schoenberg Quartet, recorded on the NYCB stage in 2019. Host and Resident Conductor Clotilde Otrantro walks us through the innovations and themes of Brahms’ original chamber music score, and indicates some of the choices Schoenberg made in the instrumentation for full orchestra in order to maintain the music’s various sombre moods, military vibes, and folk influences. Otranto is joined by the NYCB Orchestra for a number of evocative excerpts, transporting us to the romanticism of the Austro-Hungarian Empire. (13:33)

Music:
Symphony in Three Movements (1945) by Igor Stravinsky
Piano Quartet in G minor, Op. 25 (1861) by Johannes Brahms, arr. by Arnold Schoenberg