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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloist Aarón Sanz and recently retired Soloist Claire Kretzschmar, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance 

Explore our expansive repertory, from the earliest Balanchine works to more recent classics, with an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, the host is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

Jan 9, 2023

A fresh season of City Ballet The Podcast kicks off with New Combinations host and Associate Artistic Director Wendy Whelan in conversation with Repertory Director Craig Hall, Company Pianist Craig Baldwin, and Principal Dancer Chun Wai Chan. Each is intimately involved in the development of Justin Peck’s Copland Dance Episodes, NYCB’s first non-narrative, evening-length work since Balanchine’s 1967 piece Jewels. As Baldwin, Chan, and Hall relate, the experience of taking part in this momentous creation is one rich with the beauty and distinctly American qualities of Copland’s music, and the sense of unfettered humanity and community in Peck’s choreographic process. (44:50)

Edited by Emilie Silvestri

"Sisyphus" by Andrew Wegman Bird
Wixen Music Publishing, Inc. as agent for Muffet Music Co

"Fanfare for the Common Man" (1942), "Rodeo" (1942), "Billy the Kid" (1938), "Appalachian Spring" (1944) by Aaron Copland
Performed by Craig Baldwin