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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloist Aarón Sanz and recently retired Soloist Claire Kretzschmar, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance 

Explore our expansive repertory, from the earliest Balanchine works to more recent classics, with an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, the host is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

Apr 6, 2026

The topic du jour around The Rosin Box this week is the driving force behind ballet: music. For this conversation, hosts Claire Kretzschmar and Soloist Aarón Sanz are joined by Corps de Ballet Member Maya Milić and Soloist Sebastián Villarini-Vélez, two company members whose connections to music extend far beyond the studio and stage. Maya is a classically trained pianist who graduated with honors from the Manhattan School of Music’s Precollege Division, which she attended while also a student at the School of American Ballet; Sebastián was raised in a musical household—his father was a percussionist with an expansive collection of tapes, and Sebastián played the guitar throughout childhood. These formative early exposures to music have influenced their dancing in countless ways: “Developing a taste is the most important thing you can do as an artist,” says Sebastián. “That will allow you to shape your approach towards what you’re doing. Distinguishing what works for you musically will allow you to find sort of a unique voice to approach the steps.” (40:12)

Edited by Gus Reed 

Music:
"Je ne t’aime plus" by Pink Martini
Courtesy of Pink Martini & Heinz Records