Apr 6, 2026
The topic du jour around The Rosin Box this week is the driving
force behind ballet: music. For this conversation, hosts Claire
Kretzschmar and Soloist Aarón Sanz are joined by Corps de Ballet
Member Maya Milić and Soloist Sebastián Villarini-Vélez, two
company members whose connections to music extend far beyond the
studio and stage. Maya is a classically trained pianist who
graduated with honors from the Manhattan School of Music’s
Precollege Division, which she attended while also a student at the
School of American Ballet; Sebastián was raised in a musical
household—his father was a percussionist with an expansive
collection of tapes, and Sebastián played the guitar throughout
childhood. These formative early exposures to music have influenced
their dancing in countless ways: “Developing a taste is the most
important thing you can do as an artist,” says Sebastián. “That
will allow you to shape your approach towards what you’re doing.
Distinguishing what works for you musically will allow you to find
sort of a unique voice to approach the steps.” (40:12)
Edited by Gus Reed
Music:
"Je ne t’aime plus" by Pink Martini
Courtesy of Pink Martini & Heinz Records