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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloist Aarón Sanz and recently retired Soloist Claire Kretzschmar, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance 

Explore our expansive repertory, from the earliest Balanchine works to more recent classics, with an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, the host is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

Sep 20, 2021

Just like the Company itself, City Ballet The Podcast is back, with a brand new Hear the Dance episode on Jerome Robbins’ Glass Pieces. Returning host Silas Farley is joined by former Principal Dancers and original cast members Helene Alexopoulos, Maria Calegari, and Bart Cook, and current Corps de Ballet Member Gretchen Smith, for a conversation about this galvanizing masterwork. The originating dancers provide rare behind-the-scenes insights into Robbins’ process, from his use of “guinea pigs” to the multiple iterations that reflected the choreographer’s shifting mood and sense of the work in progress, and commiserate with Smith about the challenges the various corps roles in Glass Pieces present. (44:37)

Written by Silas Farley
Edited by Emilie Silvestri

Reading List:
Somewhere: The Life of Jerome Robbins by Amanda Vaill
Words Without Music by Philip Glass
Jerome Robbins: By Himself by Amanda Vaill

Music:
Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky
Rubric and Façades from Glassworks, excerpts from the opera Akhnaten by Philip Glass
All music performed by the New York City Ballet Orchestra.